A woman abandons her city life and marriage to return to the place of her childhood, holing up in a small religious community hidden away on the stark plains of the Monaro. She does not believe in God, doesn’t know what prayer is, and finds herself living this strange, reclusive life almost by accident. As she gradually adjusts to the rhythms of monastic life, she finds herself turning again and again to thoughts of her mother, whose early death she can’t forget.
Gabe is alone at the cliff’s edge. His arms are outstretched, palms facing the empty air. He said she jumped. He wouldn’t lie. Before the woman went over the cliff, Pippa and Gabe were happy. They had the kind of marriage that everyone envies, as well as two sweet young daughters, a supportive family, and a picturesque cliff-side home – which would have been idyllic had the tall beachside cliffs not become so popular among those wishing to end their lives.
Adella is facing the dawn of a new year and the end of her twenties – and she’s in a psychiatric unit recovering from a mental breakdown. A decade earlier, her life held such promise; she had every option in her hand. How did it come to this?
When a tragic bushfire puts two kids in hospital, Indigenous teenager Andrew knows the police will come after him first. But Andrew almost wants to be caught, because at least it might make his dad come and rescue him from suburban Brisbane and his neglectful mother.
Growing up in small-town Tasmania, Andrew struggled at home, at school, at everything. The only thing that distracted or excited him was starting little fires. Flames boosted his morale and purified his thoughts, and they were the only thing in his life he could control. Until one day things got out of hand, and Andrew was forced to leave everything behind.
Producer Mara Bolt is the queen of reality TV. Ambitious to the point of ruthlessness, Mara will do anything for ratings. When she meets Kristy Shaw, Mara is certain she’s found the star of her newest series, The Shot. Kristy is languishing in her small hometown and a dead-end job, pining for her first love, Max Irving. The Shot offers her a Total Body Transformation – extreme plastic surgery to render her unrecognisable – as a way to recapture Max’s affections under a new identity. But there’s a catch: if she doesn’t secure his heart in thirty days, she must have her surgeries reversed, and go back to her previous life.
Layla Byrnes is exhausted. She’s juggling a demanding job as an anaesthetist, a disintegrating marriage, her young kids, and a needy lover. And most particularly she’s managing her histrionically unstable mother, who repeatedly threatens to kill herself. But this year, it’s different. When her mother rings just before Christmas, she doesn’t follow the usual script. Instead, she tells Layla that there’s something she needs to tell her about her much-loved father.
Adam Bowman, a battling journalist who grew up as the son of a teacher at Prince Albert College, might be the only person who can uncover the links between the school murder and the ‘Blue Moon Killer’. But he will have to go into the darkest places of his childhood to piece together the clues. Detective Sergeant Rose Riley, meanwhile, is part of the taskforce desperately trying to find the killer before he strikes again. Adam Bowman’s excavation of his past might turn out to be Rose’s biggest trump card or it may bring the whole investigation crashing down, and put her own life in danger.